![]() In many ways, the “literally me” archetype has not changed since the days of “Taxi Driver.” Director Martin Scorsese’s film, released in 1976, follows dishonorably discharged Vietnam veteran Travis Bickle as he seeks to “clean up” New York City. Look no further than the granddaddy of them all - “Taxi Driver.” Although we are perhaps amidst a “literally me” renaissance, many of the films released in recent years take influence from those that came before them. “Fight Club” was released in 1999, “Blade Runner” in 1982. What seems odd about many of the films cited as “literally me” is that they were released decades ago. Directors and writers alike expressly create them as criticisms of toxic masculinity or capitalism - Mary Harron, the director of “American Psycho,” points out that Bateman is the personification of everything that’s wrong with American vulture capitalism. Often, they end with the main character severely injured or dead, realizing that his life is a lie or simply back at square one. With the (heavily debatable) exception of “Taxi Driver,” there’s rarely an instance in which these films have a happy ending. Most of them are terrible people who use and abuse others - often women - for personal interest. It’s not even as if these characters are anything to look up to. ![]() “He is, finally, a man of muttered imprecations and sudden, brooding silences which of these moods is most alarming is hard to say.” “There is a certain kind of urban character who, however lightly we brush against him, instantly leaks the psychopathy of everyday anguish all over us,” he wrote. It’s in each strand of Patrick Bateman’s perfectly-styled hair and every blue crystal in Walter White’s RV. Masculinity - both its failed performance and addictive gratification - is the foundation of these characters and their interactions with their universes. Dostoevsky’s narrator in “Notes from Underground” has some “literally me” elements, as does Camus’s “Nausea.” If we’re talking about alienated young men, you can’t do better than “No Longer Human” or “Catcher in the Rye.” Vote up the best Sigma movies, and don't forget to check out The Best Movies For Men and The Best Action Movies of All Time to see what could be the next movie that garners a cult following and becomes engrained with the Sigma community.What makes someone “literally me”? It’s not as if the archetype of the alienated young man is an entirely revolutionary phenomenon. Nonstop thrill rides that question authority, showcase alpha male machismo, and have a remarkable underlying dread that permeates through them all to create complex and heartstopping stories. Regardless of the type of person who enjoys these movies, there is no doubt that Sigma movies deliver powerful, poignant, and deeply meaningful stories that offer audiences hundreds of ways to interpret.įrom movies starring deranged, psychologically damaged male protagonists like American Psycho, Donnie Darko, and Joker to movies that showcase uber-popular and self-reliant alpha males showcasing their power through work ethic and success like in The Wolf of Wallstreet, The Godfather, and Blade Runner to movies that perfectly combine both of these elements like Whiplash, Drive, and Nightcrawler, each and every one of these films delivers exactly what they promise. ![]() Often regarded as the typical “film bro's” favorite movie, Sigma movies have garnered a terrible wrap over the last few years, but these films are some of the greatest works of are in the history of cinema, it's just the crowd they attract that usually causes an uproar. Deeply psychologically tormenting films about damaged or deranged men who fight their way into power and are viewed as heroes are some of the most common stories in all of Hollywood, but over the last few years, these Sigma movies have begun to take on a life of their own.
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